Category Archives: To Market

Rogue Creamery’s Blue Wins Top Cheese Prize

It would be achievement enough to be crowned Best Blue Cheese, but the Rogue River Blue from Rogue Creamery in Oregon did even better, winning Best of Show at the 26th annual American Cheese Society competition, which was held recently in Austin, TX. The blue cheese beat an astonishing 1,326 other entries in what is often billed as “the Super Bowl of cheese”.

Cowgirl Creamery, in Point Reyes, CA, took Second Place in the competition, for its superb Red Hawk washed-rind cheese.

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Days before the win, we visited Rogue Creamery in Central Point, OR, on our return from our road trip between San Francisco and Portland. We got a chance to chat with talented and passionate cheesemonger Tom Von Voorhees and to taste tons of special, hand-recommended cheeses.

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The blues were indeed a highlight, and we had many generous samples. Choosing a favorite was immediately impossible — it was always the last cheese tasted. The Oregon Blue, made with raw milk, was robust, bright and creamy, with lots of wonderful classic roquefort taste. The Oregonzola was also very tasty and had a harder texture. If pressed, I’d say my favorite was the Crater Lake Blue, which was very creamy, with an even stronger and more complex blue flavor than the others.

They’ve all won their share of awards.

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The new Caveman Blue, below, was also outstanding and flavorful and extremely creamy.

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Along with the cheese tastes, we enjoyed splendid Carpenter Hill wine from the nearby Carpenter Hill Vineyard. We especially liked the Tango Red, a warm, fruity mix of merlot and cabernet, and bought some to take home. Syrah leaves from Carpenter Hill are used to wrap the Rogue River Blue for aging up to one year. Lee Mankin from Carpenter Hill explained how the Syrah leaves are macerated in Clear Creek Pear Brandy made from locally picked pears, so that the cheese is a complete example of local terroir. We moved to the cheese counter, where we got talking to Tom about all things life and cheese, and we never tasted the ACS award winner! Based on the array of Rogue Creamery blues, it has to be terrific. I can’t wait to try it.

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We first tried the 4-year Noordhollander Gouda, which offered an extremely tasty mix of caramel sweetness and tangy bite, along with a wonderfully rich, crunchy texture.

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We really enjoyed Pholia Farm’s Pleasant Creek and Covered Bridge goat cheeses, which are made locally in Rogue River, OR. Both had a superb, strong goat taste and, were we not traveling by car in a heat wave, we would have picked up a bunch. If you are lucky enough to live near Pholia Farm, they offer farm tours and cheesemaking classes.

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From the Willamette Valley Cheese Co. in Salem, OR, comes this Perrydale cheese, a cow/sheep mix that was wonderfully sweet and delicately fruity.

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We were very impressed with this raw-milk Emmenthaler from Edelweiss Creamery in Wisconsin. It had a terrific taste and is made the traditional way in huge copper vats.

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I must mention that Rogue Creamery is also known for its cheddars. I was personally nearing my limit — Yes, there is one — so I didn’t cheddar up, but here’s a sampling, along with Rogue’s famous curds, which are very good, and the Caveman Blue.

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We snapped up some curds and the hardest (hardiest) cheese for the journey, along with some Rustic Bakery crackers, which come from our home county of Marin. They are extremely tasty. We first encountered them at a local Wine and Gourmet event, and fell in love. Rustic’s flatbreads were originally created specifically to compliment the complex cheeses being produced by artisan creameries.

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Rogue Creamery was started in the 1930s by Tom Vella, of Sonoma, CA’s Vella cheesemaking family. He learned blue-cheese-making techniques in Roquefort, France, and in 1957, produced the first cave-aged Blue Cheese west of the Missouri River.

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I was very enamored with both the creamery and the picturesque Rogue River Valley and plan to return to sample other local artisan foods. Congratulations again, Rogue Creamery, on your most impressive win.

Photos by Susan Sachs Lipman

San Francisco’s Cable Cars, Chinatown & Fisherman’s Wharf

We just had a wonderful visit with my brother Michael and niece Amanda, who came out from Cleveland, OH. Among other fun things, I planned what I think of as the quintessential San Francisco tourist day: A ride on the cable car from Chinatown to Fisherman’s Wharf and back, with lots of stops, sights, and food along the way. Of course, you don’t have to wait for out-of-town visitors to do this — it’s a favorite local day, too. It’s always fun to combine the joy and openness of a tourist with the knowledge and pride of a local.

A Little History

When Andrew Hallidie witnessed a horse-drawn streetcar sliding backwards toward a terrible accident on a steep San Francisco street, he immediately thought of the wire-ropes his father had patented and he himself had used to pull cars filled with ore up and down the mountains during the California Gold Rush. Through Hallidie’s inspiration and perseverance, those wire-ropes became the basis for our current cable car system, which began service in 1873.

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At one time, San Francisco had more than 20 cable car lines. But once the electric streetcar was invented, in 1888, trolleys (which run using overhead wires) began to replace cable cars in most cities, followed by busses and other forms of transportation.  Three cable car routes remain in San Francisco and, as many people know, they are a delight to ride for tourists and locals alike. Following are some fun ways to enjoy Andrew Hallidie’s invention, the cable car that is a symbol of San Francisco and a great way to get around the city.

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The Three Routes, and Fun Side Trips

There are three cable car routes in operation. The three lines are the Powell-Mason Line, the Powell-Hyde Line, and the California Street Line.

Powell-Mason Line: Union Square, Nob Hill, Chinatown, Russian Hill, North Beach, Fisherman’s Wharf

The Powell-Mason line begins at the Powell/Market turntable. It runs up Powell, past Union Square and Nob Hill, takes a dog-leg on Jackson, and then runs on Mason, Columbus, and Taylor, through colorful North Beach, until it reaches the Bay/Taylor turntable at Fisherman’s Wharf. The Wharf is, of course, a wonderful place to experience San Francisco. Stroll the stands along Jefferson Street, or buy a shrimp or crab sandwich at Taylor and enjoy it at a table or on a bench overlooking the Bay.

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We like to stop into the Boudin Bakery (160 Jefferson), which offers a fun interactive exhibit about the history and science of sourdough and other San Francisco foods, as well as a chance to see bread being baked in a factory setting.  If you’re hungry, you may want to partake in the bakery’s famous sourdough bread bowl full of clam chowder, or at least an animal-shaped loaf. The museum and bakery are open 11:30 a.m. to 9:00 p.m.

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Fisherman’s Wharf is also home to the Musee Mechanique, in Pier 45. Open weekdays,  10 a.m.-7 p.m., Saturday, Sunday and holidays, 10 a.m.-8 p.m. The Musee Mechanique features a huge assortment of antique mechanized arcade games, many of which found a home here when the Musee Mechanique at the Cliff House closed in 2002, and many of which are fully functional.

This is a very special place – it offers a unique chance for people of all ages to see and enjoy pre video-era games that conjure the times of player pianos and wooden roller coasters and vanished San Francisco amusements like Playland at the Beach and Sutro Baths. Admission is free. You can buy quarters to play the games.

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There are many laughing characters, like Jolly Jack, below, who is similar to the locally famous Laughing Sal.

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Another really fun area attraction is the Ripley’s Believe it or Not! Museum (175 Jefferson), which is surprisingly elaborate and will add to the old-wharf mood.

Powell-Hyde Line: Union Square, Nob Hill, Chinatown, Russian Hill, Fisherman’s Wharf

The Powell-Hyde line also begins at the Powell/Market turntable and continues along some of the same route up Powell. It also turns on Jackson, and then goes all the way to Hyde, which then provides a great ride through Russian Hill. Places to stop along the way is Swenson’s Ice Cream, at Hyde and Union, and San Francisco’s crookedest street, Lombard Street. The lines ends at the  Beach/Hyde turntable near Ghirardelli Square (900 North Point), where you can stop into Ghirardelli Chocolates for chocolate samples or a full-blown sundae, or enjoy lunch at the kid-friendly Lori’s Diner. The Hyde Street Pier, just steps from the cable car, features historic ships you can explore on and around. You may also want to walk down the street to the National  Maritime Museum, at Beach and Polk, which features ship models, interactive demonstrations, and other seafaring items such as diaries and maps. The museum is open daily, 9:30 a.m.-5 p.m. Admission is free. Both the museum and the historic ships are part of the National Park Service.

All Fisherman’s Wharf activities are available from either cable car terminus. If you start your trip in Chinatown or Union Square, you can take one cable car line down to Fisherman’s Wharf and the other back to your starting point. (More Chinatown activities, below.)

California Street Line: Financial District, Chinatown, Nob Hill, Civic Center

The California Street line intersects the other two lines at California and Powell. It runs from the terminus at Market and Drumm through the Financial District, Chinatown, and Nob Hill before reaching its other terminus at Van Ness Avenue. This line tends to be less crowded than the other two, though no less fun, and as a result, you can usually just stay on at the end of the line and ride back, instead of having to get out and get in line to come back on, as you may on the other two lines during summer. From this line, you can get out at Grant Avenue or other stops and enjoy Chinatown.

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Chinatown is colorful and fun wherever you walk. You may want to stop into the Chinatown Kite Shop at 717 Grant. The shop features a wide array of kites of all types. Across from the kite shop is the Eastern Bakery (720 Grant), the oldest Chinese bakery in the U.S. Further up Grant is the Rainbow Station Store (1047 Grant), which features all things cute and Japanese – Hello Kitty and other Sanrio plushes, backpacks, mini erasers, food sculptures and stationary.

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A couple of these characters look a little sad to be under this sign.

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At the Golden Gate Fortune Cookie Factory (56 Ross Alley, between Jackson and Washington) you can watch as fortune cookies are baked and bent into their famous shape, and then buy some fresh off the machine. The factory is open every day, 10 a.m -8:30 p.m.

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If you’re hungry for something more substantial, there are many dim sum restaurants, which feature a variety of this inexpensive and filling delicacy. We particularly like the House of Dim Sum (735 Jackson, around the corner from the Fortune Cookie Factory, open daily except Tuesdays), where you can get buns stuffed with shrimp, pork, chives, or sweet sesame.

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A cute map with animation to illustrate the various cable car routes is here.

Another source for route descriptions, as well as schedule information, is here.

For more information about the Cable Car Museum and the Cable Car Bell Ringing Contest, as well as tips on how to ride cable cars and fare information, please see my post, More Nitty-Gritty on San Francisco’s Cable Cars.

Mayors have tried to do away with the cable cars all together. Citizens have rallied to save them. Most of the lines have been lost to buses, and San Francisco is one of the few cities in the world to still operate traditional cable cars at all. A day of riding these moving historic landmarks will certainly heighten your appreciation of them, as well as provide a fun, inexpensive family outing.

Photos by Susan Sachs Lipman

Post updated 8/15/13

 

Cheese of the Week: Pug’s Leap Pavé & Petit Marcel Goat Cheeses

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I recently had the privilege of visiting Raymond & Co. Cheesemongers in Glen Ellen, CA, and partaking in a little tasting. Yum! Everything they offered was tantalizing and top-of-the-cheese-game, including two farmstead goat cheeses, the Pavé and the Petit Marcel, from the relatively new Pug’s Leap Farm in Healdsburg.

(In the photo, the Pavé is topmost, and the Petit Marcel is at the bottom.)

Pug’s Leap, founded by ex-San Franciscans Eric Smith and Pascal Destandau, is notably dedicated to Slow Food and sustainable practices. They have stated that “buying locally brings health, economic, environmental, and social benefits to the community.” Their single goat herd of Saanens, Toggenbergs, Sables, and some cross-breeds, is fed organic feed. Their cheese production is relatively small-scale and done largely by hand. The farm is solar-powered.

The Pavé is unusually dry in texture, especially for a goat cheese. It’s extremely flavorful — tangy, with strong goat tones and smells, earthy, ashen and mushroomy. The complicated flavors linger nicely on the taste buds.

The wrinkled rind is wonderfully bloomy and the cheese nearest the rind has a great gooey texture. The processes used at Pug’s Leap greatly influence the Pavé’s taste. For one, the fresh curd is treated gently, to produce a rind with external mold, which in turn influences the taste of the ripening cheese. To create the especially dry texture, the whey is expelled.

The Petit Marcel is another winner. It also has a great goat flavor and an even more pungent goat nose (which I like). It’s also dry in texture, though less so than the Pavé . The younger Petit Marcel is sweeter and milkier than the Pavé. The taste, while great, is ultimately less complex, less special, than the Pavé.

As for pairing, both cheeses are wonderfully versatile. Grapes, peaches and cherries are some fruits that work with them. Almonds make a nice accompaniment. The stronger Pavé can take Cabernet and other red wines. I’d stick with a fruitier Syrah or Pinot, or a Chardonnay for the Petit Marcel.

Either way, get yourself a little goat round and enjoy!

Photo by Susan Sachs Lipman

Local, Sustainable Tastes of the Sonoma-Marin Fair

Sonoma and Marin Counties enjoy such a rich agricultural bounty that it should come as no surprise that the Sonoma-Marin Fair provides a wonderful opportunity to sample some of the best and newest local, sustainable food. This year, the Farm-to-Table exhibit had been expanded. The first item we tried was the fantastic McEvoy Ranch Olive Oil. You could really taste the fresh grass in it.

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McClelland’s Dairy (where we used to take our daughter to watch the cows being milked) is now making their own organic, artisan, small-batch butter, which we happily sampled and found extremely tasty.

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We had terrific honey from Hector’s Honey, which is available at the Santa Rosa, CA, and other local farmer’s markets in eucalyptus, vetch, wildflower, and other flavors from local flowers.

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We spoke with Karen Bianchi-Morada, 8th generation cheesemaker (Italy, Switzerland, and now five generations in West Marin). Her Valley Ford Cheese Estero Gold was extremely tasty. Aged 120 days, it’s an asiago-type cheese that’s buttery, distinctly flavored, and affordably priced. It’s available in Whole Foods and other local markets.

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Next up was something new called Sonomic Vinegar, from Wine Country Vinegars. It’s a rich balsamic-like vinegar that had more depth and flavor than a typical balsamic and, yet, was still made from 100% grapes. The producer also runs Sonoma Valley Portworks. I assured him a visit would be forthcoming.

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Of course, no fair would be complete without the requisite corn dogs, funnel cakes, garlic-fry bricks, deep-fried twinkies (!), watery margaritas, barbecued chicken, chow mein, kettle corn, and lemonade. And, sure enough, we left the sustainable exhibit and sampled some of that stuff, too.

Follow our other fair adventures here.

Photos by Susan Sachs Lipman

Congratulations: Edible Marin & Wine Country Magazine Launches

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The premiere issue of Edible Marin & Wine Country magazine is out, and it’s gorgeous. It’s filled with stunning photos and wonderful information about Marin, Sonoma, and Napa food and the growers and artisans who create it. There are plenty of recipes and ideas for home cooks and gardeners, as well as inspiration and information about where to find the best local, sustainably grown food and information about the Slow Food movement in general.

Publisher Gibson Thomas has been spearheading the Marin-Sonoma chapter of Slow Food since 2002, and her passion for our local bounty of incredible food and its producers is palpable.

After reading about Mill Valley’s Cici Gelateria, in the issue’s sweet rundown of ice cream and gelato shops that use local, sustainable ingredients, my family popped in for a selection. There’s only a hint of a relationship between Cici’s gelato and traditional ice cream. The gelato’s fresh flavors come through quite strongly and deliciously, without relying on an overuse of sugar or fat. We sampled a rich, hazelnut pistachio; a very minty mint chocolate chip; and a salted chocolate that offered a complex mix of tastes not often found in frozen desserts. (I’ve also had the pleasure of enjoying a couple of Cici’s more novel flavors, which are periodically available, such as a delicious lavender vanilla, and a refreshing, wonderful cardamom.)

The magazine also made me want to forage for edible greens along my local roadsides, get to Napa’s Oxbow Market, and create wonderful dishes with heirloom tomatoes. Best, it truly made me appreciate my local community of food growers, purveyors and enthusiasts.

Edible Marin & Wine Country is available by subscription and is distributed free at Whole Foods and other markets. Not in Marin/Napa/Sonoma? Fear not. There are Edible publications covering communities from San Diego to Cape Cod, with plenty of stops in between.

Photo by Susan Sachs Lipman

Slow News Day: Vermont’s First IHOP to Serve Real VT Maple Syrup

When International House of Pancakes finally opened a franchise in Vermont (the 50th state to get an IHOP), its General Manager, Sam Handy, Jr., successfully petitioned the franchisor to allow the South Burlington shop to serve real maple syrup, instead of the corn syrup blend that is served at the other approximately 1,400 IHOPs in North America. Handy is quoted in the New York Times as saying, “(Vermont is) a small state, and buying local is important.” He also wants to explore buying eggs and dairy items from local farmers.

So, it seems that fast food, in Vermont anyway, just inched a tiny bit slower.

Not to be outdone, New York Senator Chuck Schumer recently proposed to IHOP CEO Julie Stewart that New York State’s IHOPs similarly wean themselves off their mass-produced toppings and onto maple syrup made in New York. This is not the senator’s first foray into the maple. Last year, he introduced legislation designed to — wait for it — tap into his state’s underused maples by providing incentives to landowners for producing syrup. More information on New York’s maple situation is here.

I love maple syrup, and one in particular, which we have been getting delivered (a luxury) since trying it and many like it on a delightful road trip through New England five summers ago. That syrup is from Sugarbush Farm, in Woodstock, VT, where we got to touch the actual maple trees and learn about the entire tapping and production process. We also learned that we generally prefer the robust Grade A dark amber syrup to the lighter Grade A medium amber, or the even lighter “fancy” syrups.

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Lucky me. My daughter and her friend whipped up some French toast for themselves and for me this weekend. We all agreed that it turned out picture-perfect, especially topped with Sugarbush maple syrup and a helping of super-sweet Delta Blue organic blueberries from Stockton, CA., the closest-grown berries we could find.

Photo by Susan Sachs Lipman

First Peach of the Season: Make a Wish

Some time ago, a friend told me about his tradition of making a wish as he bit into the first peach of the season. I’ve never heard or seen anything about this custom since, but I made a point of adopting it nonetheless. It’s such a happy moment when the seasonal farmers’ markets start up again and the grocery stores start offering local berries and stone fruit in season and at in-season prices.

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For me, that moment happened this morning, as I was greeted at the market with the first real deals on ripe, sweet berries and the first cherries, apricots and peaches. I chose the most local peach, California’s Summerwhite, which happened to be the one that felt the ripest. White peaches, though not the classic deep summer yellow, have a multi-colored soft peach skin, and fruit the pale yellow color of spring butter. They also boast a lower acidity than yellow peaches, which renders them sweet and flavorful, even though these first ones have a relatively short growing season.

White peaches also ripen more quickly than traditional peaches and they tend to taste sweet when picked, in contrast to yellow peaches, which sweeten over time, as they ripen and acid levels drop. Though white peaches have been around for about 30 years and are popular in Asia, it’s taken American consumers a bit of time to discover their joys.

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Once home, I washed the ripest specimen and bit right in, ushering in summer right then and there. It was sweet, wonderful, and extremely juicy. The air coming through the open window suddenly felt extra warm and the leaves on the trees seemed particularly green. My wish? A great, warm, sensual summer, with lots of time to enjoy family, friends and nature, to be outside, to make and grow things, to eat healthy food and to take enthusiastic bites out of life.

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Last year, we made peach chutney and apricot-lavender jam, among other delights. I sense another good canning season to come.

Photos by Susan Sachs Lipman

Springtime at Macy’s

We recently took a foray to the Macy’s Flower Show in San Francisco.

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The theme this year was “A Bohemian Garden”.

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This was the 63rd year that flowers bloomed inside the department store.

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The Flower Show is renowned and also occurred this Spring in New York, Philadelphia, Minneapolis, and Chicago.

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The tradition began in Macy’s Union Square, which hosted the first ever department store flower show, right after World War II. It was created to promote the store’s perfume.

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In a rough retail year, and an even harsher flower-show year (with venerable shows calling it quits), it was nice to see even a scaled-down version of spring pastels, floral magic, and a little fantasy. Even The Teen liked it.

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Photos by Susan Sachs Lipman

Perfume Launch: Baroque Pearl

As much as I love scent, I had never been to a perfume launch. So when the invitation came for a perfume launch and art opening at lovely Gump’s in San Francisco to celebrate their new Baroque Pearl perfume — which my friend, scent designer Lisa Wilson, helped create — I had to go.

Gump’s began curating and selling Asian art and pearls soon after the 1906 earthquake, making it one of the first American companies to do so. As the new perfume was inspired by Gump’s pearls, so were the interpretations of the pearl that the artists created in a variety of media. The gallery show, “Pearl: Inspiring Design and Desire”, will be at Gump’s through May 17.

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Lisa looked radiant in a smart turtleneck and shimmery skirt, holding a bottle of Baroque Pearl and telling us about the collaborative effort between perfumer Olivier Gillotin (of Givaudan, the largest fragrance house in the world), Through Smoke Creative, and Gump’s to arrive at the store’s first fine fragrance.

Here is Lisa with my daughter (and fellow scent fanatic) Anna.

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We received spritzes of Baroque Pearl. I found it at once heady and unique; sophisticated, yet accessible. I recognized my favorite citrus notes: I thought I smelled bergamot and grapefruit, and was told it was bergamot, mandarin, and orange blossom. These were complimented by a blend of exotic floral mid-notes and a nice sandalwood base. Later, we noted that Baroque Pearl had a lot of staying power and continued to subtly assert itself. The slightly Oriental florals and the sandalwood deepened and became more prominent. I imagined the wearer of Baroque Pearl to be dressed in a crisp white blouse, with great jewelry, to be classic and sexy in an assured, rather than an overt, way.

Indeed, Gump’s CEO Marta Benson has said of Baroque Pearl, “It is not the sweet scent of a 20-something girl, but that of a worldly beauty”.

Lisa showed us the perfume’s lovely keepsake box, which, when untied from its Asian medallion, opens interestingly to reveal the substantial, feminine bottle.

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Courtesy of Gump’s

As we continued our tour, we ran into Marta and her husband Adam Willner. Marta looked fabulous in a black dress and a double strand of pearls. She said she was thrilled with the turnout, and pleased that the event had attracted such a variety of people — from the art and perfume worlds, as well as the arena of kids’ carpools.

Marketing guru Ellen Seebold of Seebold Marketing Communications was also on hand, as was Sarah Oliver, whose whimsical and original hand-made and -adorned wool handbags are available in the store. You can see more on Sarah’s web site.

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Through Smoke Creative had previously collaborated with Gump’s on their award-winning home fragrance line. Each of the line’s three scents is available in diffuser, room spray that can actually be worn as a cologne, candle, or scented stone (amber resin) form. Lisa described the process of creating Majestic, the line’s salute to Gump’s Bay Area home: “We wanted to capture the smell and the feeling of walking in the Marin Headlands — the mix of sea air, jasmine, eucalyptus, bay laurel and redwood.” Treasured, she said, plays homage to Gump’s tradition of seeking art and objects in the Far East. Opulent evokes the formal gardens, cut flowers, and grandeur of Europe.

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Happily, we also spent time with Gump’s other home fragrances. The Apothia line was also developed with Through Smoke for the L.A.-based company. Each scent evoked a specific L.A.-inspired mood. Lisa described one of the scents, Wave: “It makes you feel as if you’d just woken up at your Malibu beach house, and were now having a glass of grapefruit juice, overlooking the ocean”. We sniffed a diffuser and, sure enough, the fresh, inviting smell transported us to a morning by the beach.

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Anthousa also has an attractive line of diffusers in a range of breezy florals, citruses, and fruits.

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Heady with scent, we moved to the gallery, which featured an impressive amount of art and more lively mingling in the store’s understatedly grand rotunda.

San Francisco glass artist Orfeo Quagliata captures the translucent qualities of the Tahitian pearl. His often playful, colorful work can be found here.

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Anne Goldman’s work is wonderfully elemental, evoking ocean and mountain forms. The East Bay sculptor’s work can be seen here.

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I love the simplicity of Sara Paloma’s tidal blue nesting bowls and pearl vase. See more of the Emeryville sculptor’s work here.

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Before leaving, we stopped to ogle the store’s signature collection of pearl jewelry and generally bask further in the lovely Asian-influenced atmosphere. We learned that the gallery is the oldest continuously operating gallery in northern California and that the store actually evolved from it.
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Sniffing at our Baroque-Pearl-adorned wrists, we were back on the Union Square streets, enjoying a pretty dusk and contemplating heading to Macy’s for their annual Flower Show.

Baroque Pearl is $98 for a 1 3/4 oz. bottle.

Photos by Susan Sachs Lipman unless noted.

Cheese of the Week: Rolf Beeler Reserve Gruyere

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Wow! Master cheesemaker Rolf Beeler has swept this gruyere gal off her feet. I was already a passionate fan of gruyere – a greatly undersung cheese, I think, wasted in the vast melting pot of the typical less-than-exciting fondue. My fave cheese of late has been the L’Etivaz gruyere. So when I visited Berkeley’s eye-poppingly vast Cheese Board recently and asked the cheese expert what he had that was similar to L’Etivaz, he pulled out a great wheel of Rolf Beeler Gruyere.

Actually, he started me on an Emmi cave-aged gruyere, which was very good – tasty, redolent, interesting. But then he handed over the Rolf Beeler and, I repeat, Wow!

Everything about this cheese is right up front. Nothing holds back as an aftertaste. This bold cheese just hits you between the taste buds with its nutty, tangy, sweet, complex, cave-musty, buttery, slightly crystally, crunchy Wow. Bee-ler! Bee-ler! The man at the cheese counter elucidated how Beeler hand-crafted his cheese, visiting every cave and tapping on every wheel to choose the right ones for artisan aging. He’s definitely got a gift for gruyere.

Like L’Etivaz (also from the large Emmi producers), the Beeler is a raw-milk variety. It’s aged a full, old-school 16 months or more in carefully controlled, humid, cave-like conditions. Rolf Beeler is a relatively small-batch producer.

Unlike L’Etivaz, the Rolf Beeler Gruyere is not strictly an Alpage, or mountain pasture, cheese, a type made using only milk produced in warm seasons from high-altitude Alpine cows. Alpage cheeses have a reputation for tasting like the distinct Alpine flowers and grasses that make for summer grazing.

As the L’Etivaz is gone for the season, I’ll have to taste these Swiss gruyere giants against one another next year. In the meantime, I’m loading up on the outstanding Rolf Beeler.

This cheese pairs well with plenty of wines, especially a Syrah, but you may want to pop open a bottle of champagne to enjoy with the Beeler, toast the man, and celebrate the cheese’s specialness.

And, I know, you don’t have to tell me, it’s probably great in a fondue.

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The big board at the Cheese Board

Top photo: Ready for our repast. We enjoyed our Rolf Beeler Gruyere with French oil-cured olives and a fresh ciabatta.

Photos by Susan Sachs Lipman

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