Category Archives: Home Ec.

Let Nature Decorate your Holiday Table

Nature often makes the best decoration. Especially in Fall, leaves, fruits and nuts are readily available in public spaces, in addition to being eye-catching, pretty, and free or nearly so.

Of course, the hunt is a highlight of the pre-planning. It provides a fun family tradition, and a way to enjoy nature together in the beautiful Fall, before bringing some of it inside for lovely — and free — table decor. My favorite tabletop finds include buckeyes, chestnuts, multi-colored leaves, ivy, pine boughs, pine cones, branches with berries and, from the store, mini pumpkins, persimmons, apples, mandarin oranges, and pears.

Above are fall tables from two different years. Both feature collected items from nature and inexpensive store-bought fall flowers that my family and I arranged in a shallow bowl, using a “frog” to hold the stems in place. All of our glassware and china has been handed down, including the festive red glasses. I layered inexpensive tablecloths and fabric runners.

One Thanksgiving morning, our cousins gathered branches and boughs for their table and made cute homemade placecards for each guest.

Another guest provided this very festive and yummy cake. I made the Cranberry Crunch squares from Susan Simon’s The Nantucket Holiday Table. They’re very good, and a great use for cranberries.

If you’re fortunate to be able to collect buckeyes, chestnuts or acorns in your area, they can make an inexpensive, natural, interesting filler for a large vase of flowers.

Friend Mary Mauro cleverly filled a very tall vase with mini pumpkins for a gathering. (She is also a gifted flower arranger.)

I hope you have an inspired, happy Thanksgiving.

Photos by Susan Sachs Lipman

Make a Fall Leaf Placemat

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This is a fun, easy, rewarding project for those who still have leaves falling, or on the ground. Or perhaps you’ve collected some and you’re not sure what to do with them. Making a placemat will allow you to enjoy them for years to come. Even small children can be involved in this project by gathering leaves and helping with the design. You’ll need:

Iron-on flexible vinyl, available in fabric stores by the roll. It is made by Heat’n Bond or Therm O Web.

Medium-weight white cotton fabric, about 3/4 yard per placemat.

Your favorite Fall leaves.

A phone directory or other heavy book.

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1. Gather some wonderful, colorful leaves that have fallen.

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2. Place them in a phone directory, or other thick book to flatten them. Put them toward the back of the book, so there will be enough pages over them to press them. Make sure you leave space between the leaves, and space between leaves and the book’s fold. Leaves will be flat in a couple of days.

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3. Cut fabric rectangles, 2 inches larger all around than you want your final placemat to be. I cut my fabric into 20″x 13″ pieces, to make 18″ x 11″ placemats. For the exact shape, I traced the outline of an existing placemat, which had rounded edges. Turn the fabric pieces over and make occasional guide marks 2″ around from the outside edges, lightly with a pencil.

4. Turn the fabric right-side-up again and play with the placement of the leaves. When you are happy with the way they look, you will be ready to iron the vinyl down. Don’t forget to leave more than a 2″ space all around your design.

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5. Heat your iron. Peel the backing off the vinyl and place it sticky-side-down onto the leaves. Smooth the vinyl with your hands, then iron it onto the fabric, following package directions.

6. When the fabric is cool, turn over and cut according to your guidelines. For further sturdiness, you can iron vinyl onto the back of the placemat as well. Admire and use your placemats for years to come.

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Photos by Susan Sachs Lipman

Stir up (or Cook Down) some Colonial Apple Butter

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In a world of wonderful jams and butters, apple butter might just be the ultimate slow food. Comprised of just a few natural ingredients, and no white sugar, the best apple butter cooks most of the day over a low flame, so that the resulting mixture is wonderfully dense and has a rich, caramel-y taste. I’d been wanting to get in touch with my inner Colonial cook and make some, when a neighbor happened to bring over a bounty of Fuji apples from her backyard tree.

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Apples were indeed plentiful in Colonial America. Alice Morse Earle’s book, Home Life in Colonial America, lists such dishes as apple-slump (baked apples under a cake topping), apple-crowdy (a turnover-like dessert), and something called apple-mose, along with various types of pies. The book quotes a Swedish parson writing home about the Delaware settlement in 1758:

Apple-pie is used throughout the whole year, and when fresh apples are no longer to be had, dried ones are used. It is the evening meal of children. House-pie .. is made of apples neither peeled nor freed from their cores, and its crust is not broken if a wagon wheel goes over it.

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I washed the Fuji apples, appreciating their pretty shapes and colors. In Colonial country homes, it was not uncommon to hold an apple-paring, in which friends and neighbors came to help peel the crop of apples for winter’s dried apples, applesauce and apple butter. The ingredients for apple butter were put into large brass kettles, which were then hung in big, open fireplaces. The finished apple butter would be stored in barrels in the house’s basement. Quince and pear butters were made as well.

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My apple butter is extremely easy to make, requiring only the ingredients you see above:

8 cups apples (a cup is approx. 2 small apples)

2 1/2 cups apple cider

1 Tbsp. honey

1 tsp. cinnamon

1/2 tsp. cloves

This recipe yields 2 jars of apple butter and can easily be doubled or tripled. I arrived at it through a combination of various vintage, Amish, and canning books, along with some trial and error.

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1. Wash, peel and chop the apples into small pieces.

2. Place the apples into a large pot and cover with the cider.

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3. Bring mixture to a boil, then reduce heat to a low simmer.

4. Add remaining ingredients and stir to combine.

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5. Simmer on low heat, uncovered for 6 or more hours, or until the mixture cooks down to a paste. You may opt for occasional periods of slightly higher heat, if you find that your mixture remains too watery or if you want to caramelize some of the apples at the bottom of the pot.

This is the “inner Colonial” part — the long, slow cooking process and the fantastic way your house will smell and feel as you do it.

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6. Using a wide-mouth funnel, ladle the mixture into jars that have been prepared for canning. (I boil them for 10 minutes in a boiling water canner.)

7. Seal the jars and boil them again, for 10 minutes. Let them sit for a day. (If you follow strict canning guidelines, you can store your apple butter for the future. If you do not, then you’ll want to eat the apple butter within a couple of weeks and store it in the refrigerator.) Please refer to the USDA canning guidelines, downloadable Guide 1,  for more information on proper home canning.

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Preserves and butters of all kinds make wonderful gifts and spreads, especially one like this, in which there is barely anything to get in the way of the wonderful, fresh, age-old  Fall apple taste. Try apple butter on toast or crackers, with cheese, poultry, or even other fruit.

Photos by Susan Sachs Lipman

Consumed by Soap!

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Hi everyone! We got so busy making soap for a big trunk show tomorrow that I’ve been a bit absent from the blog. There are so many craft and recipe ideas, Slow Food trends, and other fun things I am eager to tell you about when I have a moment. The trunk show is in Mill Valley, CA, for those able to swing by. (I can e-mail the address.) We’ve been having a lot of fun with new and favorite designs and scents. See our Bubblehead Soaps web site for pictures, prices and descriptions.

Above: Four Seasons, packaged together or separately, in fresh, seasonal scents and colors.

Below: Freshly poured: Kitty cats in calico, black or brown.

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Another one so new it’s not on our web site yet, Man’s Best Friend:

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We’ve also been making lots of holiday favorites, like Gingerbread folks, which look and smell like the real thing:

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.. and snowflakes, in lots of wintery scents and designs:snowflakesoap1

Hope to be in touch after the trunk show!

Photos by Susan Sachs Lipman

Quince Dubbed “Poster Child of Slowness”

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Folks in various Slow Food circles are suddenly rallying around the quince, which I featured on my site just a week ago.

Possibly with us since Biblical times, the quince was traded at middle eastern crossroads before making its way around the Mediterranean and across the Atlantic to Thomas Jefferson’s garden, only to become relatively neglected in more recent eras.

That seems to have changed, as the somewhat homely fruit has recently become the improbable star of cookbooks, restaurants, and home cooks.

Ben Watson, an author and food activist with Slow Food USA, proclaimed, “The quince is the poster child of Slowness. It’s lovely and fragrant but pretty much inedible unless transformed by peeling, coring and cooking. I think it is poised for a comeback.”

Watson has been involved with Slow Food’s Ark of Taste project, which is an extremely exciting effort to catalog and promote all kinds of delicious foods that are in danger of extinction as we move toward mass production of fewer varieties of foods. I urge you to visit the Ark of Taste web site to see tantalizing photos and learn about wonderful heirloom fruits and other foods, and where to find them.

More on quince’s comeback, history and harvesting can be found in this delightful Los Angeles Times piece.

Also just in, courtesy of Food News Journal: “French foodie Stevie Parle turns to Provence for a perfect quince crumble.” This from the Guardian. (His crumble actually looks and sounds to me like a crisp, which coincidentally is my favorite dessert. I’ll have to try to make some!)

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They Dined on Quince ..

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In Edward Lear’s playful love poem, The Owl and the Pussycat, the title characters “went to sea in a beautiful pea green boat”. On their wedding night, “they dined on mince and slices of quince” and, yes, ate them with a runcible spoon.

While I don’t know what Lear’s mince was (if anything), the ancient-appearing, squat-pear-shaped, crunchy and little-used quince may be one of the oldest fruits in existence. Early traders traveled from the Tigris Valley to Isfahan, in what is now Iran, for quinces, honey, saffron, apples and salt. Those foods were combined with grapes, pomegranates, cinnamon, rhubarb and figs back at the trading crossroads of Bagdad.

Of these foods, quinces are thought to be one of the most ancient — it’s possible that Eve was tempted not by an apple but by a quince. (And wouldn’t this knowledge have raised the quince’s profile?)

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The evocative fruit made its way to the Mediterranean and to New World, appearing in the garden at Thomas Jefferson’s Monticello. I’ve been only somewhat aware of quince, having had quince sorbet and quince jam (which was wonderful, something like a sweet-tart apple-pear) , but not much else. I’d noticed the beautiful, sensuous fruit stitched into Medieval tapestries in museums.

So when the folks at Food News Journal found themselves with a bounty of fresh quinces on their hands, and asked their readers for a quince recipe, I had limited experience with the fruit, but was as curious as they about what to do with it. (I was also charmed by the idea of calling for recipes rather than wasting fruit.)

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I found quince compotes and, of course, jam, which I’d like to try, but my curiosity was especially piqued by this Quince Tarte Tatin from Epicurious, precisely because I like apple desserts so much and substituting the somewhat exotic quinces for the recipe’s traditional apples seemed interesting.

My recipe was chosen, and Shelly Peppel of Food News Journal reports that the resulting tart smelled delicious. “It had a bubbling brown crust, and the caramel was bubbling around the edges in a buttery broth that sent me straight to heaven,” she wrote.

So now I’ll have to try it. Who knows? If enough of us start cooking with quinces, we can re-popularize this historical, romantic fruit.

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Photos: Wikimedia 4028mdk09/Public Domain, David W./Public Domain, Ag Research/Public Domain, Brian Leatart/Bon Appétit

Calling all Plush Fans and Crafters: Plush Show at Schmancy in Seattle

A few years ago, my family and I found ourselves in Seattle and at a wonderful, whimsical store called Schmancy, in the Belltown district, that specializes in all things plush, most of which are hand-made. Shelves were lined with plush cupcakes, benign monsters, felt woodland mushrooms, large-eyed sandwiches, and storybook elves, many of which took their fun sensibility from Japanese art and design.

My daughter has always loved to sew and to make whimsical plush objects (in addition to her own eco-friendly totebags.) She struck up a conversation with Schmancy owner and artist, Kristen Rask, and she ended up having this abstract applique- designed piece in the store’s annual Plush Show.

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The Plush Show is happening again, with receptions and activities  this weekend and displays throughout the month. In addition, the Northwest Film Forum will be screening Faythe Levine’s film, Handmade Nation. This documentary about the D.I.Y. craft movement will be appearing in other cities; check the film’s website for details.

If you’re crafting at home, there’s plenty of inspiration and instruction available. Kristen Rask’s own book is called Plush You! Loveable Misfit Toys to Sew and Stuff. Another book my daughter Anna has really enjoyed is Softies: Simple Instructions for 25 Plush Pals by Therese Laskey. A bonus of plush-toy crafting is that it can often be done with felt. Felt is so tactile and pleasing to work with. Handmade felt is great but, for children and others wishing to experiment, bright squares and pieces of felt are relatively inexpensive, as well as easy to use.

Another cute fabric-crafting book I recently came across is Betz White’s Sewing Green: 25 Projects Made with Repurposed & Organic Materials. Not strictly oriented to plush, this book has lots of cute ideas for easy, green D.I.Y. sewing projects like sweet pillowcase dresses, mans-shirt aprons, screen printing, a fall-leaf felt scarf, and more.

Be warned: a visit to Schmancy or a poke into one of these books will make you want to start crafting every cute thing inside.

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Top Photo by Susan Sachs Lipman

Make this Honey Spice Cake for a Sweet New Year and Fall

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Honey is one of the world’s oldest foods. Ancient Egyptian tomb reliefs from as far back as the 3rd millennium B.C. show bees being smoked from their hives to produce it. Nomads and traders helped honey’s popularity spread worldwide, while it remained a prevalent sweetener in the Middle East, where it still often, and wonderfully, appears in Mediterranean, Arab and Jewish dishes.

Jews around the world traditionally celebrate their new year by dipping apples in honey, and by eating honey and spice cakes, the better to usher in a “sweet new year.”

And lots of people ring in the fall by making honeyed cakes of wonderful harvest ingredients like pumpkin, and warm spices like cinnamon, cardamom, and cloves.

This terrific and tasty honeyed spice cake recipe recently appeared in the San Francisco Chronicle, just in time for our good friend and fabulous cook Sandy Waks to try it out for a Jewish New Year gathering last week. It was very meaningful to slow down and gather around her table, which brimmed with fresh, often biblical, foods — Sandy’s also a fantastic gardener — and warm, interesting company, and to stop and give thanks and blessings for the new year.

Of course, a year, or even a season, needn’t be starting to make this cake. I intend to make it many times this fall. Dense cakes like this one pack well for school lunches and other times, are loaded with healthy ingredients, and just taste yummy.

Photo by Susan Sachs Lipman: Pumpkin spice cake at the Mill Valley Book Depot

Saluting Silver Palate’s Sheila Lukins

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The hoopla surrounding the book and movie, Julie and Julia, has been wonderful, of course — for amateur cooks, for foodies, for bloggers. Anything that gets people back into the kitchen after seasons of take-out (if, indeed, that’s where they head post-movie) and certainly anything that makes us stop and truly appreciate the pioneering Julia Child, with her trilling voice, kind demeanor and no-nonsense insistence that any of us, too, could pull off chicken Cordon Bleu, is inherently good. For my mother’s generation, Julia Child and her Mastering the Art of French Cooking was the guide that perhaps their own parents — in a harder era during which, for many, cooking was an artless enterprise, synonymous with “getting food on the table” — were not.

My own cooking was informed by a different set of guides. So it was with dismay that I learned that Sheila Lukins, co-creator with Julie Rosso of the Silver Palate cookbooks and empire, had died, at just 66, of brain cancer.

When I moved to New York, after college, in 1982, I quickly experienced the personal revelation that was fettuccine Alfredo. “Pasta, Etc.” stores were springing up around Manhattan, with their ready-made sauces and varieties of pasta. Growing up, pasta meant spaghetti, and usually at a restaurant. Home meals tended to revolve around chicken, meat or fish, and were dishes without a lot of variation, week to week, that my working mom could easily prepare and get on the table. (Kitchen leisure was reserved for baking projects and Thanksgiving Day.)

Then I discovered the Silver Palate stores, with their amazing chicken salads and chutneys and raspberry and walnut vinaigrettes. I snapped up the Silver Palate Cookbook and learned to make such staples on my own. The book was such an obvious labor of love — as had been the Moosewood Cookbook before it, which I belatedly found — with its hand-drawings, personal notes, and unique recipes that I could easily replicate. It had clearly been created by people who adored food and combining ingredients in interesting, tasty ways. Their recipes were (to me) informed by global cuisines, which became especially apparent when the pair split forces and Lukins traveled the world to research and create her astonishing Around the World Cookbook, which, along with the Silver Palate Cookbook and the Silver Palate Good Times Cookbook, I am continually inspired by.

Barely a week goes by when I don’t cook from, or at least reference, one of these books (along with the Silver Palate New Basics Cookbook.) Into my repertoire have gone their Chicken Marbella (which is so popular among my generation of home cooks, especially for dinner parties, that it is mentioned in Lukins’ New York Times obituary.) Four Seasons Pasta, Pasta Putanesca, Game Hens in Raspberry, Seven Vegetable Couscous, Salmon Mousse, and June’s Apple Crisp are just a few of the recipes that I turn to time and again. Just this weekend, my daughter and I made Three-Ginger Cookies from the Good Times cookbook, which, as its name implies, is a fun compendium of recipes and occasions to enjoy them with others.

Sheila, you gave me a lot.

While racking up influences from my early ’80s burgeoning cooking and entertaining life, I would be remiss in not mentioning Martha Stewart’s own first book, Entertaining. It’s hard to remember that, prior to the Martha Stewart many of us know now, this extremely talented, energetic, and comparatively anonymous caterer put together a gorgeous collection of recipes for parties that one could just happen upon in a bookstore. Not a rumaki was to be found within its pages. Like Silver Palate, Entertaining was a revelation as far as food and style — verve, really — and is another book I’ve referred to repeatedly over the years.

I wonder which books will be the touchstones for the cooks who are coming of age now.

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Photos by Susan Sachs Lipman

Snapshot

Post-Tidepool Breakfast. August 6, 2009.

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In my June tidepool post, I mentioned that tidepooling (waking up early and doing anything outdoors, really) always makes me especially hungry. After our recent round of tidepooling, we came home and made extra eggy French toast, with fresh, local blueberries and strawberries (seemingly at their peak) and Vermont Grade A maple syrup. Then we took a nap.

Photo by Susan Sachs Lipman

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