Category Archives: Tributes

Hooray for Stewards of Trails and Open Space

Marin County and the Bay Area are blessed with an abundance of natural beauty, open space and trails. This region is also the home of true pioneers in the Land Trust Movement, such as the Trust for Public Land, Golden Gate National Recreation Area, the Marin Agricultural Land Trust, and the group that may have started them all, back in the early 70s, my own neighborhood Homestead Valley Land Trust.

It took vision, those years ago, to realize that our pristine open space would be developed into housing tracts without fierce protectors and enormous public support. The Homestead Valley Land Trust, like so many others, usually works modestly, behind the scenes, weeding, monitoring and maintaining the land, so that my family and I can literally walk out our front door and enjoy a beautiful trail hike, watching the seasonal flow of wildflowers and wildlife, as if the modern world hadn’t interfered at all.

Unfortunately, not everyone feels the same way. The Land Trust was recently in the news when a homeowner who abutted a popular trail encroached onto the land and claimed it as their own, with their own elaborate backyard landscaping.

This happens a lot, and it’s usually not an accident. People move into homes and find the long-time trails a nuisance and seek to close them off and privatize them. Or they illegally spread their homes and land onto the open space. I feel very strongly that our local (and taxpayer-supported) trails remain open for use by everyone — for recreation, for walking to school and other destinations, and for emergency egress from homes.

Another local group, Mill Valley’s Steps, Lanes and Paths, has also worked tirelessly to this end, by maintaining and marking paths and encouraging people to use them, so that it will be more common knowledge that our town has a wonderful system of stairs and paths leading up into the hills and out to the trails of Mt. Tamalpais and beyond.

A century ago, Mill Valley was a railroad town, and commuters returning from San Francisco would disembark from the train, retrieve their lanterns and head up the paths to their hillside homes. A young girl from those days wrote that, when it was dark, the lanterns lights winked and shone like fireflies.

I wrote a letter to the Marin Independent Journal, praising our tireless, passionate stewards of open space. My surroundings, and my daily life, would indeed be different without their work. The full letter is here.


Ring Mountain in Tiburon was also saved from development. Mt. Tamalpais is seen in the background. More about my recent Ring Mountain wildflower hike is here.

Photo by Susan Sachs Lipman

And Then There’s Maude

When it came to TV, you could say I was an odd kid. I skipped homespun fare like “The Waltons” and “Little House on the Prairie”. “The Brady Bunch” was only mildly entertaining. I couldn’t stand the incredibly popular “Happy Days”, which ushered in the ubiquitous, homogenized, highly commercial version of 50s nostalgia that remains with us to this day.

I was drawn to characters and situations that seemed urban or sophisticated, people who did interesting things. The newsroom gang on “The Mary Tyler Moore Show.” “The Partridge Family”s perpetually put-upon manager, Reuben Kincaid. Even the wink-wink hijinks on the mid-70s versions of “The Match Game”.

I actually cried when I learned “The Odd Couple” had been canceled. I was 14.

It would come as no surprise, then, that I adored Norman Lear’s collection of early sitcoms — “All in the Family” and the shows it begat. “Sanford and Son”, “Good Times”, “The Jeffersons”, and, of course, “Maude”.


Bea Arthur was Maude. There was no separating actress and character. With her deep voice, commanding presence, knowing camera takes, and long, flowing vests, she completely owned the character and the times. She was Women’s Lib incarnate, and roar she did — always with humor and always as a confidante. I believed her and Walter’s relationship. (I can hear him whining, “Mau-aude” and I can hear her deadpanning, “God’ll get you for that.”) I followed them when they made the difficult decision to terminate a mid-life pregnancy. No “deciding to keep the baby” and raising it alongside grandkids, like some kind of Palin, as would likely happen on TV today.

Let’s face it, a character like Maude is not likely to come along today.

Born Bernice Frankel in 1922, Bea Arthur (Arthur is a modified version of her first husband’s name) was a theater actress, winning a Tony for her role in “Mame”. When “Maude” debuted, Arthur was close to 50. (Take that, Desperate Housewives.) She continued her TV acting streak with “Golden Girls”, and we at home got to enjoy more of her funny, dry, basso-profondo talent.

Since learning of Arthur’s death Saturday, I have had the theme song to “Maude” in my head, to varying degrees and with utmost appreciation for its creators and the envelopes they pushed. In high school I wrote a paper on Lear and his groundbreaking television. My English teacher had wanted me to write about someone more mainstream — or maybe just more fusty — and I fought to write my paper. Perhaps it was these immortal words that inspired me:

Lady Godiva was a freedom rider,
she didn’t care of the whole world looked.
Joan of Arc, with the lord to guide her,
she was a sister who really cooked.
Isadora was a first bra burner
Aint’ ya glad she showed up?
And when the country was falling apart
Betsy Ross got it all sewed up
And then there’s Maude
And then there’s Maude
And then there’s Maude
And then there’s Maude
And then there’s Maude
And then there’s Maude
And then there’s that old compromisin’, enterprisin’ anything but traqulizin’ Right on Maude!!!

“And Then There’s Maude” was written by Marilyn and Alan Bergman and Dave Grusin, and sung by Donny Hathaway. (Yes, the same Donny Hathaway who sang “Where is the Love” with Roberta Flack.)

Photo Courtesy of Sony Pictures Home Entertainment

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